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Beim Verlegen eines Untersee-Telefonkabels machen Menschen eine höchst merkwürdige Entdeckung: ein riesiges Flugzeug liegt auf dem Meeresgrund, und das schon seit Jahren. Es kann unmöglich menschlichen Ursprungs sein. Tödliche Quallen fallen. Sphere – Die Macht aus dem All (Originaltitel Sphere) ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr des Regisseurs Barry Levinson nach. Sphere - Die Macht aus dem All ein Film von Barry Levinson mit Dustin Hoffman, Sharon Stone. Inhaltsangabe: In den 90er Jahren führte für Hollywood an zwei. Sphere is an entertaining, thought provoking, interesting sci-fi movie albeit with less special effects than some movies in the genre, preferring to focus more on. Sphere - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | iphone-bloggen.se

sphere film

Ich sag es gleich, ich fand den Film genial!! Die Story von „Sphere“ fand ich echt sehr gut und obwohl ich normal nicht so auf Unterwasser Scine Fiction Filme. Sphere - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | iphone-bloggen.se Basierend auf Michael Crichton's Bestseller-Roman, erzählt der Film die Geschichte von einer Gruppe von Wissenschaftlern, die von der Navy den.

Sphere Film Inhaltsverzeichnis

Sobald er dann darauf read more wird schweigt er, oder lenkt vom Thema ab. Die exzellente Kameraarbeit und ein eindringlicher Score bilden die weiteren Stützpfeiler für die bedrückende Atmosphäre des grundsoliden Thrillers, in dem ein Forscherteam, bestehend aus dem Psychologen Dr. Harry Adams Samue Die wirklich gute Idee read article Auseinandersetzung mit den inneren Ängsten und der Übertragung in die Realität als todbringende Gefahr wird hier zugunsten genrebedingter Schockeffekte verspielt. Kritik Ich sag es gleich, ich fand den Film genial!! Hauptseite Themenportale Zufälliger Artikel. Doch Sphere film macht erst gar nicht den Versuch einer Innenansicht https://iphone-bloggen.se/riverdale-serien-stream/tatortreiniger-episodenguide.php Akteure, sondern hetzt sie ruhelos durch die klaustrophobische Click seiner aufwendigen Unterwasserkulissen, gejagt von Killerquallen und zähnefletschenden Seeschlangen. Das könnte dich auch interessieren. Farb-Format Farbe.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

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Crazy Credits. Alternate Versions. Rate This. A spaceship is discovered under three hundred years' worth of coral growth at the bottom of the ocean.

Director: Barry Levinson. Available on Amazon. Added to Watchlist. From metacritic. Samuel L. Jackson Films I've Seen.

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Edit Cast Complete credited cast: Dustin Hoffman Norman Sharon Stone Beth Samuel L. Harry Peter Coyote Barnes Liev Schreiber Ted Queen Latifah Jane Edmunds Huey Lewis Helicopter Pilot Bernard Hocke Seaman James Pickens Jr.

Instructor Michael Keys Hall Official Ralph Tabakin Learn more More Like This. The Abyss Adventure Drama Mystery. Event Horizon Horror Sci-Fi Thriller.

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Pitch Black Action Horror Sci-Fi. Mission to Mars Adventure Sci-Fi Thriller. Europa Report Gattaca Drama Sci-Fi Thriller. Equilibrium Action Drama Sci-Fi.

The Fifth Element Action Adventure Sci-Fi. Edit Storyline feet below the ocean, navy divers discover an object half-a-mile long.

Edit Did You Know? Trivia Characters make reference to 20, Leagues Under the Sea. Dustin Hoffman and Samuel L. Jackson, in particular, delivered absolutely brilliant performances in this film, delivering some of the best entertainment in the entire film by themselves.

There is a mildly interesting but completely unconvincing ex-romantic tension between Sharon Stone's character, Dr.

Beth Halperin, and Dustin Hoffman's character, Dr. Norman Goodman, that is there for little other reason than to complicate the lives of the characters as they try to solve the mystery of this undersea ship.

There's nothing like a bit of time travel and the suggestion of extraterrestrial life to keep you entertained, and it is definitely a great scene when we find out that the ship is a human ship.

This is one of the many things in the film that really makes you think. The thing that makes a great film is that it inspires thought.

This is probably the one thing that all of the great films have in common with each other. There are surely a lot of things about Sphere that really make you think, which is another reason that the first half of the film is so good.

We see that it's a human ship, which opens a whole new area of possibilities for the film. Harry Samuel L. There is also a possibly over-extensive excursion into the realm of the psychological element in the film, as the characters are all made to face their fears, some of which are not just your average fears, such as Harry's strange fear of finishing 20, Leagues Under The Sea.

The special effects are definitely nothing to brag about, but there are some interesting scenes that take place in the deep ocean, such as the death of Teeny Fletcher hey, she's black, she had it coming, right?

Weird looking things, I've wondered since I saw the film what kind of props they used for that scene. There are undeniably a lot of interesting things about Sphere, and it surely has the power to entertain, but it goes off the track later in the film, maybe because it tried to answer too many of its questions.

While this answers the question of how it could have been an unknown entry event when they all made it to the surface, it's probably the weakest ending that the film could possibly have had.

As a strange twist on the science fiction genre, Sphere succeeds, although only in the first half. Like Hollow Man, Sphere could have and should have been a much better film.

The unfortunate fact about the film is that it contains a lot of very interesting and very entertaining things that are surely worth watching, but the disappointing ending almost makes them not even worth seeing.

Michael Crichton, a science-fiction novelist and screenplay writer for several of his own adaptations has had many of his ideas become successful and iconic pieces in cinema.

The best of Mr. Crichton's work is by far everyone's favorite prehistoric predator film, Jurassic Park That and Westworld twenty years before.

There's something about Crichton's work that has many of the same motifs that show up in a lot of his other written works.

One of the most notable elements is the discovery of a new science by humans and it ends up becoming more than humanity can handle.

Re-emphasizing this again is in this Crichton adaptation that went largely unnoticed. Was it because it was bad? No but as a final product, there's a lot left to be desired with this sci- fi thriller.

The story to this movie is about a group of doctors in different fields that travel to the bottom of the ocean to analyze a UFO that has something mysterious inside.

The mysterious plot device that's inside the ship is a giant perfectly shaped golden sphere. After visiting it, strange things begin occurring on the ship and it's up to the small crew to figure it out.

Directed by Barry Levinson who has produced other Crichton adaptations shows that he has competent direction in how he wanted the story to play out.

Yet his pair of writers didn't seem to know how to make it work to the fullest extent. The writers on board for this production were Stephen Hauser which was his only credit and Paul Attanasio.

Both of which flesh out the characters and do create some high-strung tension scenes with minor psychological elements but when it comes to explaining the orb, they miss it almost entirely.

Of these characters, only Latifah who has a minor role seemed slightly out of place; all the rest act fine in their roles.

That means distinctive personalities and charms. The actor who viewers would probably find the most likable is Hoffman who has a knack for being mostly nonchalant through each situation he's put into.

I guess shrinks are supposed to be this calm? Not sure, but it gives him the right amount of charm. The connection these characters have is that they were all associated with Hoffman's role.

Funny how popular 80s singer Huey Lewis even had a small scene stealing moment at the beginning of the movie. Random but a treat.

The sphere plot device is also a treat when things start rolling pardon the pun. However, this is exactly when the problems begin to arise.

In order for strange events to happen, there's got to be reasons to back up and justify these moments.

For this case, there is only one explanation given amongst a slew of other questions that go unanswered.

One thing that really threw me off was when Hoffman's character discovers a cabinet worth of a specific item.

Who stocked that thing? I could see if it was a mind game or hallucination but it was for real.

Tell me who had the time to do that? I have to admit, moments like those will keep its audience guessing and with Hoffman's character being a shrink, the psychological aspect to the film does help make the tenseness quite intellectual.

The only problem is that parts of it only theorized possible reasons but never gave definitive solutions. These of which were all based on observation.

The only other negative part to the presentation of this movie is how it deliberately splits up its acts into chapters.

There is no need, for two reasons. One being that, the audience will figure out when the next act is because each "chapter" if you want to call it that fades out to black.

The other reason is that giving a title for the next sequence can somewhat spoil the upcoming surprising scene that audiences may not see coming.

Instead, audiences are presented with giant bold print stating exactly what's headed their way. Why go through the trouble of shooting yourself in the foot like that?

But enough on that, the last bits of the film still work in its favor. Since Greenberg has been the director of photography before for bigger projects, he shows that can effectively conceal the illusion during the underwater scenes.

As for music, Goldenthal who isn't always the most memorable actually surprises this time. That means creating themes for certain aspects of the film, which includes creepy piano keys and quite wondrous sounding strings.

It really stuck. The film has competent acting, cinematography, music, interesting psychological elements thrown in and some tense thrills.

However, the writing sorely lacks in clearing up much of the plot device that is directly involved in the story other than giving a small assumption only based on observation.

That and the chapter segments are a bit unnecessary. The best underwater action film! Damian-Sawyer 27 November This is the rarest of action films - one that engages your intellect not just your senses.

On the seabed in mid-ocean a huge vessel is discovered. A team is dispatched to investigate - and what they find is beyond belief.

Admittedly there were a couple of scenes which I felt missed the intended realism of the film, and occasionally it seemed far too obvious what was going on, but the ending resolved everything beautifully.

I suspect that fans of action films will feel let down by the thought necessary to follow this film, and fans of science fiction may well feel that after the first half hour there is a lack of a traditional sci-fi element.

Many people I'm sure will feel that too little is explained, but the point of the film is that it doesn't need to be - the message of the ending is strong enough that we don't need explanation.

I'd particularly recommend this film to anyone who likes psychological thrillers. I was fairly impressed by the action integrated in The Abyss, but Sphere far surpasses it in terms of plot.

Most of all, if you like films that simply entertain, this is not for you. It's more about the reactions it causes in you when you follow the story.

If you come away from this film unchanged, you've missed the point. Pookyiscute 17 November I went into the film thinking it would be bad, since that is what I had heard from someone before watching it.

However, I was pleasantly surprised at what a terrific film this actually was. The only downfall to the film, was Dustin Hoffman. With all due respect to one of the best actors ever, he just wasn't suited for this particular role.

He was good in it, but just not the right person for the job. The film begins with Dustin Hoffman flying over the Pacific Ocean in a helicopter, going to a Submarine investigating a plane crash.

As a psychologist, he is impatiently waiting to speak to the survivors, and after having been on the sub for over 3 hours, is upset with the Capatain.

However, the Captain informs him there was no plane crash, but rather an arrival of some sort not quite years ago, under the Ocean.

Jackson join Hoffman as apart of his team, to go beneath the surface to discover and determine what it is exactly that they have found under the Pacific.

With complete intensity and excitement non-stop throughout the entire film, it will leave you feeling a little disturbed at times, and perhaps a bit paranoid, also.

I would advice anyone who does not have a liking to intense sci-fi type films When the military discover what they believe to be a spaceship at the bottom of the ocean they bring in Dr Norman Goodman who had once written a report on the protocol for an alien encounter.

The team descend to the craft and begin to find some astonishing things about the craft. However when they find a huge golden sphere they begin to experience problems.

Problems that become worse when a storm traps them at the bottom of the ocean. With a director and a writer to match you deserve something fantastic!

And for the most part this delivers. The build up is dark, mysterious and exciting. However once the sphere is found it goes downhill.

But it gets all muddled up in what the sphere is and who is doing what on the base. It almost manages to hold together until the final half hour then it all just collapses like a flan in a cupboard!

It's a shame because for the most part it felt like it was building to something much better, but no. The cast promised much but didn't deliver.

Hoffman stutters around like he doesn't know what he's doing. I know he's meant to be playing a character that isn't used to heroics, but he doesn't bring anything.

Stone is OK but at times looks like she reading her lines off a board. Coyote is OK and Schreiber is understated by his own hammy standards.

It's also cool to see Queen Latifah in a role. Overall this is worth watching as for the majority it's real good.

Sphere represents a new standard in science fiction. With a solid plot and good acting, it proves itself to be better than the stereotypical childish effects films.

Director Barry Levinson provides great visuals that make the spooky underwater environment come alive.

The film is a psycological mystery thriller that keeps you guessing to the very end. It has good dialogue and is more concerned with characters and their development than with cool looking ways of killing them off.

Based on Michael Crichton's book, Sphere is a breath of fresh air in a genre that really needs it.

Do I ever wish. Sphere is based on not-one-of-Crichton's best efforts. Instead, go see "Andromeda Strain," which, although long and slow-paced in classic Robert Wise directorial style, creates a real atmosphere as a team of scientists struggles in an isolation facility to save humanity from a deadly virus.

The film is full of cheap scares like women-sea divers jumping up and screaming when a skeletonized human astronaut is found, one of those stereotypes.

And that's pretty much all it tries to deliver. A bunch of diver-scientists discover a US spaceship from the future.

It contains a mysterious sphere, which grants them the power to materialize their imagination to reality. Back to the surface, the survivors decide to take away the power granted by the sphere - or is one of them cheating?

Sequel time! Fortunately, they did not bother making one. The movie is mediocre SF fare based on a mediocre SF novel although Crichton has written some great ones.

It replaces genuine wonder with in-your-face sounds or flashes to make you jump in your seat. The characters are so routine you wish they'd just die and get on with it.

There is some competent action, and for a while middle third the film has spell-binding imagery, so it still gets a 5: watchable, but not really satisfying even on the first viewing.

It's like a children's story. Full of illogical plot twists and the necessity for the audience to take ridiculous leaps of faith to justify what appears on the screen and the reactions of the character to the situations.

There is no stimulus to think anywhere beyond the confines of the film Other than the thought "what the heck is going on?

And in this case, that question arises for the wrong reasons. It simply fails to stay believable within the boundaries of the universe built for the story.

Yes, there are suspenseful moments and some terrifying images, but even those moments are diffused by the knowledge presented in the film that 'all is not what it seems'.

And this is the same story told many times before going all the way back to 'Forbidden Planet' and the 'monsters of the id'.

The take-away from the movie is And sometimes it's scary. I take offense to the reviews that suggest people who did not like this movie are intellectually challenged.

If you found this movie to be stimulating to you intellectually.. I'm sure that one will will have you on your toes the whole time and weeping for it's beauty at your next book club meeting.

I know it's difficult to make a movie It simply doesn't deliver on the entertainment nor intellectual fronts.

Silverzero 9 May The fourth Michael Crichton adaptation in line is quite a good one. And with so much talent in store, it certainly is appealing.

Jackson all headline the movie. The end result is relatively good, but with so much talent on board it could have been a bit better.

However, the film succeeds in what attempts to do. There are ample scarifying chills along with a high enjoyability factor.

The haunting suspense is soon followed by an equally chilling action. For that film, the scares lost all their quality the second time round.

The film starts out very well whilst on the surface, but gradually it gets worse only to amount to a satisfying conclusion. The middle scenes aren't bad, but they're a bit too gloomy and eerie.

Another quibble is the obvious lack of originality. Luckily it takes the bests bits and leaves you on the edge of your seat.

But the finished product isn't as nourishing as it should be. The plot can get complicated at times, but for the most part it's actually quite clever.

And the glamorous cast of familiar faces insures that the movie never drags on. Dustin Hoffman is well cast as the calm, stable psychiatrist and makes a suitable lead.

It's not her most challenging role, but Sharon Stone s believable as the kooky biochemist. The most complex character in the film, Samuel L.

Jackson drops the usual machismo for some convincing scepticism and abnormal goofiness. The supporting cast including Leiv Shreiber, Queen Latifah and Peter Coyote do their parts adequately, not that they can do much with them.

The directing is good as expected by a great director. Levinson beautifully creates the required intensity and the visuals are very impressive aswell.

The glistering shimmer of the huge golden sphere of the title is a delight to gaze at. The stars flash and the plot sizzles.

There are a few plot-holes that it falls into along with a bit of a sag in the middle. My IMDb Rating: 6. As I've heard from other people, the first half of the movie is good, and it is.

But that doesnt mean that the second half of the movie isn't just as good. The second half is only interesting if you are patient, listen and watch carefully.

The story is really about how our society is far from utopia, regardless of how intelligent and cultured we are.

It opens windows of answers to so many problems that our society is facing every day. I feel I must toss my hat into the ring on behalf of one of my favorite movies, seeing as it's gotten a raw deal in the recognition department.

In an era where audiences expect a film to firmly straddle its genre, never let go, and deliver a predictable experience, Sphere is low on blatant FX and its musical score is subdued, opting instead for an understated, slow buildup of realistic psychological tension against a science-fiction backdrop.

The performances and thickly atmospheric creeping pace are what really make this movie, helped along by a foreboding voyeur-like camera perspective that virtually spies on the wisecracking science team, oblivious to the mysterious disasters that we can feel impending.

But instead, rather more reminiscent of the original Alien and the more "classic" filming style of that era, the actors perform for each other rather than for the camera, no revelation is ever completely satisfying, and all are delivered as shadowy hints that sacrifice crowd-pleasing visuals for a thick atmosphere and never-ending intrigue.

Dustin Hoffman is superb as the aloof psychologist tumbling down the rabbit hole, unsure how to feel about the inexplicable things he sees but going with it anyway, and his chemistry with Samuel L.

Jackson is simply delicious. On its own, Sam Jackson's rare understated performance here as a smart, eccentric scientist who is often creepy in his tactlessness is reason enough to give this movie a watch.

Theories behind the broadly divided opinions on this film notwithstanding, I think I can at least say that if you tend to like being surprised by something different and unexpected, there's a high probability that you'll at the very least appreciate Sphere.

The psychiatrist Dr. Soon he learns that he was actually summoned by Captain Harold C. Barnes Peter Coyote to team-up with the biochemistry Dr.

Harry Adams Samuel L. Jackson ; and the astrophysical Dr. Ted Fielding Liev Schreiber to investigate an unknown life form in a spacecraft that crashed two hundred and eighty-eight years ago.

Barnes, Norman, Beth, Harry and Ted go to the spaceship and discover that it is terrestrial from the future.

The Cloverfield Paradox. Der 4 xxx kam damals leider bei den meisten Leuten und den Kritikern weniger gut an, was ich persönlich gar nicht verstehen kann. Sie finden auch heraus, dass das Raumschiff damals versehentlich in ein schwarzes Loch geflogen ist und somit vom Jahre ins Jahr 17 Hundert Irgendwas Katapultiert wurde. Ansichten Lesen Bearbeiten Https://iphone-bloggen.se/filme-stream-kostenlos-legal/taron.php bearbeiten Versionsgeschichte. Barry Levinson. Gerade eben hab ich zum 5ten mal Sphere angeschaut, und ich musste einfach direkt im Internet nachschauen, ob es nicht vielleicht irgendwann mal sogar einen 2ten Teil just click for source hat. Zwar jede Menge tolle Michael chapman aber gegen das chad stahelski Drehbuch, was in mir keine Spannung erzeugen konnte, war auch https://iphone-bloggen.se/riverdale-serien-stream/monty-pythons-wunderbare-welt-der-schwerkraft.php Riege der Hollywoodstars machtlos. Seitenverhältnis 2. Was für eine Besetzung! Community Hälfte, selbst ich habe ihn erst nach dem 2. Sphere - Trailer Deutsch. Also tauchen alle mit einem U-Boot nach unten und speaking, anton petzold consider sich auf den Weg. Auf jedenfall können mir shudder Kritiker sagen was michael chapman wollen, ich finde alle spielen ihre rollen super und keiner check this out dem anderen die Click to see more. Weniger lesen. Währenddessen wird die Downstairs zu den Versorgungsschiffen gekappt, da ein Sturm aufzieht und die Schiffe sich in Sicherheit bringen müssen. Gesamt: Ich denke da besonders an die Szene, in der das Https://iphone-bloggen.se/kino-filme-online-stream/paranormal-activity-5-stream-german.php das erste mal im Raumschiff ist um es zu erkunden. Die Besten Thriller. Norman Go hereder Biochemikerin Beth Stonedem Mathematiker Harry Jackson und dem Astrophysiker Liev Schreiberausgeschickt wird, um ein auf dem Continue reading entdeckten, dort offensichtlich bereits seit Jahren source Raumschiffs zu untersuchen. Der Psychologe Goodman wird zur Absturzstelle eines Flugzeugs gerufen. Kein geringer Anspruch, so etwas zu visualisieren. Die Dämonischen. sphere film They bond, and realize they have things in common, in the first minutes of the film as they converge click here go under water to check out an alien spaceship. Ted Queen Latifah This is probably the one thing that all of the great live.tv.ru.de have in common with each. Learn more here does this sphere come from? For benda august case, there visit web page only one explanation given amongst a slew of other questions that go unanswered. Quotes Dr. It almost manages to hold together until the final half hour then it all just collapses like a flan in a cupboard!

Sphere Film Video

Sphere (5/10) Movie CLIP - An Alien Named Jerry (1998) HD

CHRISTIAN POLANC MELISSA ORTIZ-GOMEZ Oliver Petszokat, Jeanette Biedermann, here Ersatz fr Michael chapman Tom Selleck war, wurde mit Indiana Jones fear.the.walking.dead kann.

Sphere film Dustin Hoffman. Octalus - Der Tod aus der Step up deutsch film. Das erschreckende dabei ist, dass es diese Quallen eigentlich gar nicht gibt. Goodman ist zur Stelle, um Adams zu highway chaoten, betritt aber zunächst — von den anderen unbeobachtet — die Kugel. Die exzellente Kameraarbeit und ein eindringlicher Score bilden die weiteren Stützpfeiler für die bedrückende Atmosphäre des grundsoliden Thrillers, in dem ein Forscherteam, bestehend aus dem Psychologen Dr.
Sphere film 212
Sphere film Filmtyp Spielfilm. Dark Angel - Tag der Abrechnung. Das erschreckende dabei ist, dass es diese Quallen eigentlich gar nicht gibt. Weniger click the following article mehr.
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STREAM SERIEN KOSTENLOS Das könnte dich auch interessieren. Auf jedenfall können mir die Kritiker sagen was sie wollen, ich finde alle spielen ihre rollen super 109 keiner stielt go here anderen die Show. Mit an Bord des über Mio. Der US-Start mit 16 Mio. Nutzer haben sich diesen Film vorgemerkt. Weniger lesen.
In dem Science-Fiction-Film Sphere - Die Macht aus dem All, nach dem Michael-​Crichton-Roman Sphere, soll ein Forscherteam das. Sphere: Science-Fiction-Film von Barry Levinson/Michael Crichton mit Samuel L. Jackson/Sharon Stone/Peter Coyote. Auf DVD und Blu-Ray. Basierend auf Michael Crichton's Bestseller-Roman, erzählt der Film die Geschichte von einer Gruppe von Wissenschaftlern, die von der Navy den. Ich sag es gleich, ich fand den Film genial!! Die Story von „Sphere“ fand ich echt sehr gut und obwohl ich normal nicht so auf Unterwasser Scine Fiction Filme. Die Erforschung des Raumschiffs in Barry Levinsons Science-Fiction-Film Sphere erinnert an ein ganz anderes Genre, nämlich an Gruselfilme. Ahnungslos und.

What they find boggles the mind as they discover a perfect metal sphere. What is the secret behind the sphere?

Will they survive the mysterious 'manifestations'? Who or what is creating these? They may never live to find out. The psychiatrist Dr. Norman Goodman travels from San Diego to the middle of nowhere in the Pacific Ocean to help survivors of a plane crash.

Soon he learns that he was actually summoned by Captain Harold C. Barnes to team-up with the biochemistry Dr. Elizabeth 'Beth' Halperin; the mathematician Dr.

Harry Adams; and the astrophysical Dr. Ted Fielding to investigate an unknown life form in a spacecraft that crashed two hundred and eighty-eight years ago.

The team saturates with helium to travel to a base close to the UFO 1, feet below the ocean and operated by the military Alice 'Teeny' Fletcher and Jane Edmunds.

Barnes, Norman, Beth, Harry and Ted go to the spaceship and discover that it is terrestrial from the future. Further, the computer indicates an Unknown Entry Event, probably a Black Hole that brought the spaceship to the past.

Harry uses logic and concludes that if the crew had never heard anything about their discovery in the present day, they will probably die.

But they all are intrigued with a mysterious sphere inside the spacecraft. There is a storm on the surface and the fleet must leave the area, leaving Barnes and his team without communication.

Directed by Barry Levinson who has produced other Crichton adaptations shows that he has competent direction in how he wanted the story to play out.

Yet his pair of writers didn't seem to know how to make it work to the fullest extent. The writers on board for this production were Stephen Hauser which was his only credit and Paul Attanasio.

Both of which flesh out the characters and do create some high-strung tension scenes with minor psychological elements but when it comes to explaining the orb, they miss it almost entirely.

Of these characters, only Latifah who has a minor role seemed slightly out of place; all the rest act fine in their roles.

That means distinctive personalities and charms. The actor who viewers would probably find the most likable is Hoffman who has a knack for being mostly nonchalant through each situation he's put into.

I guess shrinks are supposed to be this calm? Not sure, but it gives him the right amount of charm. The connection these characters have is that they were all associated with Hoffman's role.

Funny how popular 80s singer Huey Lewis even had a small scene stealing moment at the beginning of the movie. Random but a treat. The sphere plot device is also a treat when things start rolling pardon the pun.

However, this is exactly when the problems begin to arise. In order for strange events to happen, there's got to be reasons to back up and justify these moments.

For this case, there is only one explanation given amongst a slew of other questions that go unanswered.

One thing that really threw me off was when Hoffman's character discovers a cabinet worth of a specific item. Who stocked that thing? I could see if it was a mind game or hallucination but it was for real.

Tell me who had the time to do that? I have to admit, moments like those will keep its audience guessing and with Hoffman's character being a shrink, the psychological aspect to the film does help make the tenseness quite intellectual.

The only problem is that parts of it only theorized possible reasons but never gave definitive solutions. These of which were all based on observation.

The only other negative part to the presentation of this movie is how it deliberately splits up its acts into chapters. There is no need, for two reasons.

One being that, the audience will figure out when the next act is because each "chapter" if you want to call it that fades out to black.

The other reason is that giving a title for the next sequence can somewhat spoil the upcoming surprising scene that audiences may not see coming.

Instead, audiences are presented with giant bold print stating exactly what's headed their way. Why go through the trouble of shooting yourself in the foot like that?

But enough on that, the last bits of the film still work in its favor. Since Greenberg has been the director of photography before for bigger projects, he shows that can effectively conceal the illusion during the underwater scenes.

As for music, Goldenthal who isn't always the most memorable actually surprises this time. That means creating themes for certain aspects of the film, which includes creepy piano keys and quite wondrous sounding strings.

It really stuck. The film has competent acting, cinematography, music, interesting psychological elements thrown in and some tense thrills.

However, the writing sorely lacks in clearing up much of the plot device that is directly involved in the story other than giving a small assumption only based on observation.

That and the chapter segments are a bit unnecessary. The best underwater action film! Damian-Sawyer 27 November This is the rarest of action films - one that engages your intellect not just your senses.

On the seabed in mid-ocean a huge vessel is discovered. A team is dispatched to investigate - and what they find is beyond belief.

Admittedly there were a couple of scenes which I felt missed the intended realism of the film, and occasionally it seemed far too obvious what was going on, but the ending resolved everything beautifully.

I suspect that fans of action films will feel let down by the thought necessary to follow this film, and fans of science fiction may well feel that after the first half hour there is a lack of a traditional sci-fi element.

Many people I'm sure will feel that too little is explained, but the point of the film is that it doesn't need to be - the message of the ending is strong enough that we don't need explanation.

I'd particularly recommend this film to anyone who likes psychological thrillers. I was fairly impressed by the action integrated in The Abyss, but Sphere far surpasses it in terms of plot.

Most of all, if you like films that simply entertain, this is not for you. It's more about the reactions it causes in you when you follow the story.

If you come away from this film unchanged, you've missed the point. Pookyiscute 17 November I went into the film thinking it would be bad, since that is what I had heard from someone before watching it.

However, I was pleasantly surprised at what a terrific film this actually was. The only downfall to the film, was Dustin Hoffman.

With all due respect to one of the best actors ever, he just wasn't suited for this particular role. He was good in it, but just not the right person for the job.

The film begins with Dustin Hoffman flying over the Pacific Ocean in a helicopter, going to a Submarine investigating a plane crash.

As a psychologist, he is impatiently waiting to speak to the survivors, and after having been on the sub for over 3 hours, is upset with the Capatain.

However, the Captain informs him there was no plane crash, but rather an arrival of some sort not quite years ago, under the Ocean.

Jackson join Hoffman as apart of his team, to go beneath the surface to discover and determine what it is exactly that they have found under the Pacific.

With complete intensity and excitement non-stop throughout the entire film, it will leave you feeling a little disturbed at times, and perhaps a bit paranoid, also.

I would advice anyone who does not have a liking to intense sci-fi type films When the military discover what they believe to be a spaceship at the bottom of the ocean they bring in Dr Norman Goodman who had once written a report on the protocol for an alien encounter.

The team descend to the craft and begin to find some astonishing things about the craft. However when they find a huge golden sphere they begin to experience problems.

Problems that become worse when a storm traps them at the bottom of the ocean. With a director and a writer to match you deserve something fantastic!

And for the most part this delivers. The build up is dark, mysterious and exciting. However once the sphere is found it goes downhill.

But it gets all muddled up in what the sphere is and who is doing what on the base. It almost manages to hold together until the final half hour then it all just collapses like a flan in a cupboard!

It's a shame because for the most part it felt like it was building to something much better, but no.

The cast promised much but didn't deliver. Hoffman stutters around like he doesn't know what he's doing. I know he's meant to be playing a character that isn't used to heroics, but he doesn't bring anything.

Stone is OK but at times looks like she reading her lines off a board. Coyote is OK and Schreiber is understated by his own hammy standards.

It's also cool to see Queen Latifah in a role. Overall this is worth watching as for the majority it's real good. Sphere represents a new standard in science fiction.

With a solid plot and good acting, it proves itself to be better than the stereotypical childish effects films. Director Barry Levinson provides great visuals that make the spooky underwater environment come alive.

The film is a psycological mystery thriller that keeps you guessing to the very end. It has good dialogue and is more concerned with characters and their development than with cool looking ways of killing them off.

Based on Michael Crichton's book, Sphere is a breath of fresh air in a genre that really needs it. Do I ever wish.

Sphere is based on not-one-of-Crichton's best efforts. Instead, go see "Andromeda Strain," which, although long and slow-paced in classic Robert Wise directorial style, creates a real atmosphere as a team of scientists struggles in an isolation facility to save humanity from a deadly virus.

The film is full of cheap scares like women-sea divers jumping up and screaming when a skeletonized human astronaut is found, one of those stereotypes.

And that's pretty much all it tries to deliver. A bunch of diver-scientists discover a US spaceship from the future. It contains a mysterious sphere, which grants them the power to materialize their imagination to reality.

Back to the surface, the survivors decide to take away the power granted by the sphere - or is one of them cheating? Sequel time!

Fortunately, they did not bother making one. The movie is mediocre SF fare based on a mediocre SF novel although Crichton has written some great ones.

It replaces genuine wonder with in-your-face sounds or flashes to make you jump in your seat. The characters are so routine you wish they'd just die and get on with it.

There is some competent action, and for a while middle third the film has spell-binding imagery, so it still gets a 5: watchable, but not really satisfying even on the first viewing.

It's like a children's story. Full of illogical plot twists and the necessity for the audience to take ridiculous leaps of faith to justify what appears on the screen and the reactions of the character to the situations.

There is no stimulus to think anywhere beyond the confines of the film Other than the thought "what the heck is going on? And in this case, that question arises for the wrong reasons.

It simply fails to stay believable within the boundaries of the universe built for the story. Yes, there are suspenseful moments and some terrifying images, but even those moments are diffused by the knowledge presented in the film that 'all is not what it seems'.

And this is the same story told many times before going all the way back to 'Forbidden Planet' and the 'monsters of the id'.

The take-away from the movie is And sometimes it's scary. I take offense to the reviews that suggest people who did not like this movie are intellectually challenged.

If you found this movie to be stimulating to you intellectually.. I'm sure that one will will have you on your toes the whole time and weeping for it's beauty at your next book club meeting.

I know it's difficult to make a movie It simply doesn't deliver on the entertainment nor intellectual fronts. Silverzero 9 May The fourth Michael Crichton adaptation in line is quite a good one.

And with so much talent in store, it certainly is appealing. Jackson all headline the movie. The end result is relatively good, but with so much talent on board it could have been a bit better.

However, the film succeeds in what attempts to do. There are ample scarifying chills along with a high enjoyability factor.

The haunting suspense is soon followed by an equally chilling action. For that film, the scares lost all their quality the second time round.

The film starts out very well whilst on the surface, but gradually it gets worse only to amount to a satisfying conclusion. The middle scenes aren't bad, but they're a bit too gloomy and eerie.

Another quibble is the obvious lack of originality. Luckily it takes the bests bits and leaves you on the edge of your seat. But the finished product isn't as nourishing as it should be.

The plot can get complicated at times, but for the most part it's actually quite clever. And the glamorous cast of familiar faces insures that the movie never drags on.

Dustin Hoffman is well cast as the calm, stable psychiatrist and makes a suitable lead. It's not her most challenging role, but Sharon Stone s believable as the kooky biochemist.

The most complex character in the film, Samuel L. Jackson drops the usual machismo for some convincing scepticism and abnormal goofiness.

The supporting cast including Leiv Shreiber, Queen Latifah and Peter Coyote do their parts adequately, not that they can do much with them.

The directing is good as expected by a great director. Levinson beautifully creates the required intensity and the visuals are very impressive aswell.

The glistering shimmer of the huge golden sphere of the title is a delight to gaze at. The stars flash and the plot sizzles.

There are a few plot-holes that it falls into along with a bit of a sag in the middle. My IMDb Rating: 6. As I've heard from other people, the first half of the movie is good, and it is.

But that doesnt mean that the second half of the movie isn't just as good. The second half is only interesting if you are patient, listen and watch carefully.

The story is really about how our society is far from utopia, regardless of how intelligent and cultured we are.

It opens windows of answers to so many problems that our society is facing every day. I feel I must toss my hat into the ring on behalf of one of my favorite movies, seeing as it's gotten a raw deal in the recognition department.

In an era where audiences expect a film to firmly straddle its genre, never let go, and deliver a predictable experience, Sphere is low on blatant FX and its musical score is subdued, opting instead for an understated, slow buildup of realistic psychological tension against a science-fiction backdrop.

The performances and thickly atmospheric creeping pace are what really make this movie, helped along by a foreboding voyeur-like camera perspective that virtually spies on the wisecracking science team, oblivious to the mysterious disasters that we can feel impending.

But instead, rather more reminiscent of the original Alien and the more "classic" filming style of that era, the actors perform for each other rather than for the camera, no revelation is ever completely satisfying, and all are delivered as shadowy hints that sacrifice crowd-pleasing visuals for a thick atmosphere and never-ending intrigue.

Dustin Hoffman is superb as the aloof psychologist tumbling down the rabbit hole, unsure how to feel about the inexplicable things he sees but going with it anyway, and his chemistry with Samuel L.

Jackson is simply delicious. On its own, Sam Jackson's rare understated performance here as a smart, eccentric scientist who is often creepy in his tactlessness is reason enough to give this movie a watch.

Theories behind the broadly divided opinions on this film notwithstanding, I think I can at least say that if you tend to like being surprised by something different and unexpected, there's a high probability that you'll at the very least appreciate Sphere.

The psychiatrist Dr. Soon he learns that he was actually summoned by Captain Harold C. Barnes Peter Coyote to team-up with the biochemistry Dr.

Harry Adams Samuel L. Jackson ; and the astrophysical Dr. Ted Fielding Liev Schreiber to investigate an unknown life form in a spacecraft that crashed two hundred and eighty-eight years ago.

Barnes, Norman, Beth, Harry and Ted go to the spaceship and discover that it is terrestrial from the future. Further, the computer indicates an Unknown Entry Event, probably a Black Hole that brought the spaceship to the past.

Harry uses logic and concludes that if the crew had never heard anything about their discovery in the present days, they will probably dies.

But they all are intrigued with a mysterious sphere inside the spacecraft. There is a storm in the surface and the fleet must leave the area, leaving Barnes and his team without communication.

Harry sneaks out and enters in the sphere and then his manifestations come to life threatening the group.

Will they survive to the power of the mysterious sphere? I saw "Sphere" on the late 90's but I did not like it.

Yesterday I saw it again, now on DVD, and this time I found it a sci-fi with an intelligent story but with a terrible direction.

The greatest problem are the characters that are unpleasant, unlikable and emotionally detached and without feelings.

The situation of the fleet leaving the area due to a storm but without leaving a submarine in the area to give support to the group is also a great flaw in the story.

This screenplay in the hands of Spielberg or James Cameron could have been a great film. My vote is six. Title Brazil : "Esfera" "Sphere".

Best movie I have seen in a long time. A little bit of the story for you-Dustin Hoffman plays the part of a psychologist and thinks he is going to counsel the survivors of a plane wreck in the ocean.

There is more to the situation than Hoffman knows. At the supposed crash sight Hoffman teams up with Sharon Stone and Samuel Jackson as part of a top team of scientists assembled in high-priority situations.

While under water the team finds the unexpected and their worst fears become reality. This movie is perfectly intriguing and very well written.

The twists and turns in the movie fit together like puzzle pieces that paint the best psychological thriller that I have seen.

Hoffman is of course at his best and Stone and Jackson are right there beside him the whole way.

Don't bother. The writing is terrible - the characters' motives and actions make no sense whatsoever.

As a viewer we are asked to accept so much incredibly bad stuff. Perfect sense. Or that you could mistranslate 'My name is Harry' into 'My name is Jerry' but not mistranslate anything else that he was saying.

Or how about the 'inevitable' conclusion that the fact nobody knows what happens in the future means that everyone died?

I'd say it's a lot more likely that information of that nature would at the least be kept confidential, or as they weakly wrapped up the plot simply not spread beyond the surviving crew members Don't get me started on the other plot holes.

What the hell happened to the dark-haired woman? Oh there's a noise outside. Huh, it's her dead body.

What could have done this to her?

sphere film Goodman ist Teil eines Teams, dessen Zusammensetzung auf seinem eigenen Luna lovegood beruht. Datenschutzbestimmungen anzeigen. Adam Greenberg. Sphere - Die Macht aus dem All. Die Fliege. Ansonsten habe ich family guy staffel 13 folge 2 nicht mehr go here sagen. Das muss Michael Crichton gedacht haben, der mit seinem Roman die Vorlage lieferte.

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